RHINO
Original title: Nosorih
Directed by: Oleh Sentsov
Length: 101 min.
Country: Ukraine
Year: 2021
Premiere: Venice 2021
Synopsis: the rise and downfall of petty gangster 'Rhino' in '90s Ukraine.
REVIEW
Nosorih
is not a gangster movie, not in the conventional sense, derivative
and codified by Scorsese and other american filmmakers. What it
definitely proves as a film is that Oleh Sentsov’s validity as a
filmmaker is way beyond the controversy raised by his political
detention.
A story of violence set in the late 90s,
centered on a young gangster who rises in the ranks of an ukrainan
mob, a scheme that has been frequently seen in gangster movies such
as the ones by the likes of Scorsese and De Palma. Rhino brings a new
element to the table: guilt. In a genre that more then often is
dominated by graphic violence and a sense of entertainment, Rhino is
a flm in which violence has consequences on the psyche of the
perpetrator and sets off a very different outcome than the usual
“downfall” storyline. In other words, Rhino uses traditional
conventions of the gangster action blockbuster genre but points at a
different moral ending: the violence that is depicted, extremely
graphic, is also negatively connotated. The ending has a metaphysical
quality, very uncommon to a ground based genre like that of crime
films. The impossibility of redemption is what makes Rhino a very
mature film.
Moreover, Sentsov proves to be an excellent
filmmaker. He has directed only one feature film, Gámer, not
received positively at all, and a stageplay, Nomery. Directed while
under arrest, it was a dystopia that inherits maybe too much from
Orwell. Nonetheless, Rhino is definitely valid proof of his worth.
Senstov employs great visual solutions and alternates between styles
with confidence. The opening 15 minutes of the film feature one of
the best fake long take sequences of the last years, that sums up
decades of family history through a seemingly uncut sequence set
entirely in a living room, with an ever-in-motion camera, a truly
striking scene that alone itself carries the entire film.
Rhino
is by far not a perfect film. Despite its intentions, more than often
the result falls short of the true emotional investment. It
nonetheless toys with interesting concepts and features outstanding
techniques and scenes that make it a worthwhile film.
Originally published on November 9, 2021.
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